Tuesday, 16 August 2016

A Primer for Cadavers

Greetings traveller. For some time I've been writing about, and collaborating with, the artist Ed Atkins, and have recently written a note on the after-text for Ed's forthcoming collected; it will be out from Fitzcarraldo Editions shortly. The short text at the back of the book is a little manifesto on writing, mourning and melancholia, and will, I hope, fit snugly at the back of Ed's extraordinary collection. The whole book will look, really nicely, like this:

A couple of paragraphs from the website

One of the most widely celebrated artists of his generation, Ed Atkins makes videos, draws, and writes, developing a complex and deeply figured discourse around definition, wherein the impossibilities for sufficient representations of the physical, specifically corporeal, world — from computer generated imagery to bathetic poetry — are hysterically rehearsed.

A Primer for Cadavers, a startlingly original first collection, brings together a selection of his texts from 2010 to 2016. ‘Part prose-poetry, part theatrical direction, part script-work, part dream-work,’ writes Joe Luna in his afterword, ‘Atkins’ texts present something as fantastic and commonplace as the record of a creation, the diary of a writer glued to the screen of their own production, an elegiac, erotic Frankenstein for the twenty-first century.’

Kill Jester.

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